DSince the 1990s, Alexandre Estrela has been creating work that invokes technologically less stabilized means in the visual arts but, curiously, seems immune to the destructive passage of time that makes so many works that invested in the high tech dimension as a way of differentiation anachronistic. Perhaps because technology, in itself, is just an instrument of exploration that never allows itself to be captured, functioning rather as a fleeting flow, a circulation of meaning that moves between the virtuality of images, the physical object and the technical apparatus to exist. in the interception between them or somewhere collapse.
