Why Emma Caulfield Requested Joss Whedon To Execute Off Her Personality On Buffy

Whedon had all the time deliberate for probably the most “Buffy” characters to die swiftly within the warmth of struggle. Surprising deaths had been somewhat of a hallmark at the display, from Buffy’s mom’s aneurism in season 5 to Tara’s taking pictures in season 6, and the overall episode offered the endmost alternative to knock the breeze out of the target audience.

“I wanted to kill somebody, and I wanted to do it brutally and suddenly and never really pay it off,” the sequence writer advised TV Guide Online again in 2003, simply upcoming the sequence finale aired. “I wanted a death that was a real middle-of-the-battle death — the opposite of the Spike death, [which was] perfect, noble.”

So why was once Anya selected because the sufferer of this unexpected loss of life? Smartly, Caulfield had reportedly “made it clear that she really was not interested in coming back,” Whedon mentioned.

“I think things with Fox weren’t great and she felt ill-used — not by the show,” he persevered. “She had a good time making the show, I think. But she was ready to move on. But it was tough [killing her off]. The last shot before we wrapped her was that shot where she gets sliced. And it’s very weird to play your death and go, ‘Okay, I’m done.'”

The actress upcoming showed that she left the display as a result of conflicts with higher-ups.

“I had a fantastic experience on ‘Buffy’ and I thought it was a great show, but in some ways I didn’t feel that character was reflective of everything I could do,” she defined in a 2006 interview. “And by the end, I felt very unappreciated by certain people. Almost everybody was great, but certain people […] By the end it was just no fun to come to work and be continually disrespected.”